视频简介
Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。当他的双胞胎兄弟布莱克被恶意攻击，随后昏迷不醒地留在医院时，怀特无法忍受对他兄弟的无声伤害。从他的朋友口中得知是布莱克最亲密的朋友之一背叛了他，怀特伪装成布莱克来根除这个叛徒。是肖恩如此冷静、严肃和难以理解吗？开朗友好的格雷厄姆？或者可能是喜欢打架的热血Yok？。在中国经济大潮风起云涌之时，两个情同手足的异姓兄弟马德庆和张文昊的人生也进入了拐点。身为刑警队长的哥哥马德庆被调往了刚成立的经侦大队，顿觉英雄无用武之地，更令他懊恼的是弟弟张文昊一意孤行，放弃公职投入商海，接二连三惹出事端。张文昊生意赔了，他以同样的骗术嫁祸于下家得以翻盘，但受害方却因此自杀，张文昊的精心设计使他逃脱了法律的惩罚，马德庆此时也意识到经侦工作任重道远。此后经年，两兄弟一个成为了热衷慈善的商界大腭，一个成为了经侦队伍的领头羊。然而原罪的阴影却一直让兄弟二人处于情与法的纠葛与较量中。马德庆始终用自己的方法帮助和警醒着弟弟不要触及法律边线，但对噩梦的回避和对欲望的追逐，最终使张文昊毁了身边人，也毁了哥哥的家庭幸福。当一切尘埃落定，张文昊在马德庆的陪伴下终于走向了赎罪之门。。
